Trevor Paglen: Bloom. Trevor Paglen, Octopus (2020), via Pace Taking over the Pace Gallery space at 6 Burlington Gardens in London, artist Trevor Paglen opens a show that seeks to find a shared physical and digital space, mining the artist’s long engagement with technology and aesthetics to present a set of new works that explore the society-shaping power of computing, and the massive troves of … The dataset for Distracted Drivers, for example, is a collection of images used to recognise if someone is distracted while driving by an AI system. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. 1974) is an American artist examining the systems and technologies that shape our world. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Simultaneously, participants “visiting” the show via livestream are also present in the gallery, as visitors are given the option to stream their personal webcams into the gallery space on monitors. Trevor Paglen, Bloom (#79655d), 2020, dye sublimation print, 66 cm × 49.5 cm (26" × 19-1/2"); 68 cm × 51.4 cm × 3.8 cm (26-3/4" × 20-1/4" × 1-1/2"), framed, Edition of 5 + 2 APs © Trevor Paglen These simple truths resonate through Trevor Paglen’s works. The sprays of blossoms are tinted different colors in variegated sections, a slightly nauseating spectrum of reds, yellows, blues, and purples. The works in this exhibition seek to provide a small glimpse into the workings of platforms that track faces, nature, and human behaviour, and into the underlying data that structures how machines ‘perceive’ humans and landscapes. A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed to extract as … Open through November 10 both in-person and online, “Bloom” features pieces The Standard Head, which reconstructs CIA agent Woody Bledsoe’s 1960s equation for the typical human head.In ImageNet Roulette, Paglen explores a facial recognition system called ImageNet, which has been found to classify imagery through a lens of racist, misogynistic, and controversial profiling. Trevor Paglen's complex and pioneering work examines the systems and technologies that shape society. If you continue browsing, we assume that you consent to our use of cookies. coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (Sep 4, 2020 – Mar 14, 2021) and at OGR Turin (Oct 10, 2020 – Jan 10, 2021). From a distance, these works give the appearances of subtle lines of colour fields reminiscent of Agnes Martin’s abstract paintings. Computing systems that collect, interpret, and operationalize data that defines and tracks … Trevor Paglen begins to unravel these complexities by making the invisible visible through art. This dataset was created by State Farm insurance to adjust their insurance premiums in real-time, based on that information. It will coincide with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). ImageNet Roulette is an interactive artwork that classifies people’s digitally-captured portraits according to one of the most widely-used datasets used for training and evaluating computer vision systems. We disregard the future. Octopus provides virtual access to new art experiences, while also commenting on the issues of access, consent, and surveillance that are profoundly impacting this new hyper-mediated reality. In this new work, I am interested in exploring the numerous examples of computer training sets creating AIs that reflect and perpetuate unacknowledged forms of racism, patriarchy, and class division that characterise so much of society.”. Paglen’s new interactive live-stream work Octopus (2020) responds to the current moment where periods of isolation, distance, and limitations on travel impact the way society works, interacts with each other, and experiences art. Trevor Paglen's complex and pioneering work examines the systems and technologies that shape society. The world has become too complex and too fragmented for any human to fully comprehend it. Contact the gallery for current visiting protocol. 16.00 BST (on Zoom). Taking centre stage in the exhibition is The Standard Head, a large-scale reconstruction of 1960s pioneer CIA agent Woody Bledsoe’s mathematical model of a “standard head”. Our website uses cookies to improve your user experience. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. Trevor Paglen AC, 2020 pigment on textile 45.7 cm × 45.7 cm (18″ × 18″) © Trevor Paglen, courtesy the artist and Pace Gallery, “Computer vision and artificial intelligence have become ubiquitous. Octopus, meanwhile, is an all-encompassing work allowing visitors to engage with the show through an online portal. We managed to have a quick chat with Anil Sebastian ahead of their film’s premiere today Wednesday 28th October 2020 on NOWNESS. The works in Bloom recall the vanitas tradition in art, in which symbolic objects such as skulls, flowers, and books remind us of mortality, the fragility of life, and the vanity of worldly pleasures. As art spaces continue to grapple with visitor access in a post-COVID era, Paglen’s new work offers a new perspective on virtual engagement in the gallery space. Filter. Pace London Burlington Gardens, 6 Burlington Gardens Held both at 6 Burlington Gardens and online, “Bloom” features the complex and pioneering work by Trevor Paglen, revolving around current themes such as the politics of images, facial recognition … He has participated in group exhibitions at the San Francisco Museum of Modern Art (2008, 2010, 2018); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); The Metropolitan Museum of Art, New York (2012); Tate Modern, London (2010), and numerous other institutions. Pace London is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. Open through November 10 both in-person and online, “Bloom” features pieces The Standard Head, which reconstructs CIA agent Woody Bledsoe’s 1960s equation for the typical human head.In ImageNet Roulette, Paglen explores a facial recognition system called ImageNet, which has been found to classify imagery through a lens of racist, misogynistic, and controversial … Since 2005, the Pew Center for Arts and Heritage has awarded more than $143 million in grants, funded over 1,400 projects, and supported 352 individual artists via annual Pew Fellowships. Thank you, your email has been added to the list. Technology is seductive. Related articles. Trevor Paglen’s recent body of work, called “Bloom,” is rooted in his investigations of technology and machine learning and functions symbolically as a meditation on life and death inspired by the artist’s pandemic experience. En Liang Khong Features 10 September 2020 ArtReview. September 10 – November 10, 2020. Four current shows are evidence. These flower formations have been imagined by various computer vision algorithms created to analyse the constituent parts of real-life photographs. Vivid renderings of blossoming flowers, which compose a centrepiece of the show alongside sculptures, drawings and digital components, may lead one to think otherwise, but that would be wrong. Available for sale from Pace Gallery, Trevor Paglen, Bloom (#9b746d) (2020), Dye sublimation print, 105.7 × 140 × 5.1 cm Technology is seductive. Airlines and Sentiments and The Disasters feature lines of texts culled from datasets that AI developers employ to teach computer systems to analyse and emotionally interpret the content of online communications. When a member of the public’s image is captured by a camera and simultaneously projected on the gallery video monitor, the AI model categorises them according to the dataset. Trevor Paglen A Prison Without Guards (Corpus: Eye-Machines) Adversarially Evolved Hallucination, 2017 Dye sublimation metal print 81.3 x 101.6 cm Metro Pictures Contact Gallery. Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. Trevor Paglen (b. The colours and shapes in the images represent similar areas that the AI has detected in learning from other images of flowers. The project is a provocation, acting as a window into some of the racist, misogynistic, cruel, non-scientific, controversial, and simply absurd categorisations embedded within ImageNet and other training sets that AI models are built upon, Trevor Paglen Bloom (#a5808a), 2020 dye sublimation print 137.2 cm × 102.9 cm (54″ × 40-1/2″) © Trevor Paglen, courtesy the artist and Pace Gallery, Trevor Paglen Bloom Sep 10th –Nov 10th, 2020 Pace London pacegallery.com. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. Trevor Paglen: 'I’d go outside and have this overwhelming sense of fear but at the same time I was watching nature explode' How the artist made his new show in the midst of a pandemic. Hear Trevor Paglen discuss his latest body of work in this new talk . Trevor Paglen: Bloom Paglen's works initiate from data computing technologies shaping contemporary society. These simple truths resonate through Trevor Paglen’s works. Paglen’s complex and pioneering work examines the systems and technologies that shape society. A new body of work by the interdisciplinary artist and technology activist Trevor Paglen—on view at Pace Gallery’s London venue, ... Related Articles “Bloom” is a series of high-resolution photographs of flowering trees. About Held both at 6 Burlington Gardens and online at pacegallery.com, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Trevor Paglen, Bloom (#9b746d), 2020, dye sublimation print, 102.9 cm × 137.2 cm (40-1/2" × 54”), © Trevor Paglen, courtesy the artist and Pace Gallery. Bloom (#5f5554), 2020. Not all of Bledsoe's work has been uncovered, so the remaining head data - as it were - has been filled in by AI software. Marc Glimcher, President and CEO of Pace Gallery, today announced plans to expand the business’s presence in London with a new 8,600-sq-ft location at 4 Hanover Square. Photograph: Paglen Studio/Trevor Paglen, courtesy the artist and Pace Gallery But he is just showing the truth. Trevor Paglen NSA Surveillance Base, Egelsbach, Germany, 2015 C-print 91.4 x 139.7 cm Metro Pictures Contact Gallery. In contrast to the vanitas paintings of the 15th and 16th century, Paglen plays with these symbolic tropes, bringing them into the present day and addressing new measures of mortality in the digital era such as Zoom, AI, policing, and even such threats as COVID-19. Presented alongside these sculptures are a series of new drawings and compositional paintings that are similarly based on mathematical simplifications produced by various computer vision algorithms. About. The discreet sanc-tuary of home is no longer certain. … Trevor Paglen: Bloom Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). Not all of Bledsoe's work has been uncovered, so the remaining head data - as it were - has been filled in by AI software. Trevor Paglen Bloom (#a8866d), 2020 Dye sublimation print 137.2 x 102.9 cm Pace Gallery Trevor Paglen A Prison Without Guards (Corpus: Eye-Machines) Adversarially Evolved Hallucination , 2017 Dye sublimation metal print LONDON.- Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment.A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. FAD Magazine is a daily news website covering: Fashion, Art and Design. Share; Tweet; Advertisement. Trevor Paglen, Bloom (#7a5a4e), 2020, dye sublimation print, 175.3 cm × 233.7 cm (69″ × 92″) © Trevor Paglen, courtesy the artist. Opposing Geometries, at Carnegie Museum of Art, Pittsburgh, is on view from 4 September to 14 March. 10 September 2020 - 10 November 2020 / Pace London / Art Categories Events, Exhibition / Art Tags Pace London, Trevor Paglen / / / / / Trevor Paglen’s complex and pioneering work examines the systems and technologies that shape society. An artist and author of numerous books and articles, Trevor Paglen uses special equipment to photograph sites of secret government activity, or “black sites,” including the Tonopah Test … A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed … Trevor Paglen: Bloom, September 10, 2020 - November 10, 2020 at Pace Gallery, London, United Kingdom New sculptures, drawings and digital components relate to corporate and state use of machine learning algorithms to monitor, extract value, and influence people’s lives. Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. Artist Sammy Baloji on Colonial Legacies, New Stories and … Trevor Paglen Bloom Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 - November 10, 2020 - Contemporary art with installation views Trevor Paglen: Bloom +44 20 3206 7600 Open: temporary closure “Computer vision and artificial intelligence have become ubiquitous,” says Paglen. Trevor Paglen’s complex and pioneering work examines the systems and technologies that shape society. ‘What is that really?’ is often a sensible question once you’re used to the tricky ways of artists. Octopus builds on Paglen’s current practice, allowing visitors to engage with his exhibition through a web portal that allows each participant to see the gallery from the viewpoint of cameras trained on various angles of the artworks and the gallery itself. More info. Bloom. Trevor Paglen (b. Art news, exhibitions, competitions and lots more every day, Join the FAD newsletter and get the latest news and articles straight to your inbox, deeds to a château in France (Coming 2021), Obvious and RAWS team up to create a new contemporary reinterpretation of parietal art, Pace Gallery to open new 8,600-sq-ft gallery space in central London, Watch Patti Smith Celebrate Biden inauguration with free virtual performance on FAD magazine, The Top 5 Online Exhibitions to see in January. As a multidisciplinary grant-maker, the Center invests in cultural projects and practitioners, on a mission to enhance public life in the Greater Philadelphia area. 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